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Visita guiada a la exposición La ilusión del tiempo de la artista Ruth Orkin (1921-1985), que se puede ver en la sala Kutxa Kultur Artegunea hasta el 6 de noviembre.

La exposición permite rescatar la trayectoria de la fotógrafa americana, más allá de sus obras conocidas.

-Lugar: Kutxa Kultur Artegunea (Planta 0. Tabakalera). Donostia / San Sebastián
-Visita gratuita. Plazas limitadas. Todos los domingos a las 17:30.
-Imprescindible reservar: T- 943 251937 | en la propia sala | hezkuntza_artegunea@kutxakulturartegunea.eus

Descárgate aquí la guía de la exposición

Edad: +5 años

San Telmo cumple 120 años. Conoceremos el museo y edificaremos nuestro propio museo de papel utilizando la técnica del pop-up: plegar, pintar, colar, hacer collages….

La basura no es sino una metáfora. Pero, ¿qué puede representar una metáfora que huele a podredumbre?

Febrero de 2020: un vertedero se derrumba y dos trabajadores quedan sepultados en Zaldibar (Bizkaia). Llámese destino, fatalidad o, simplemente, mala suerte, la palabra elegida para designar los hechos enmascara y oculta casi siempre una responsabilidad. Lo que para algunos es una desgracia, no es para otros más que un lamentable accidente.

Marzo de 2020: llega el covid. Una periodista de radio de salud frágil tratará de dar voz al derrumbe, debatiéndose entre la verdad, los hechos y el relato… ¿Puede canalizarse el dolor en un mundo paralizado por la pandemia?

Las pantallas han sustituido a las palabras y la basura se ha convertido en nuestra seña de identidad. Cada semana alguien muere en su puesto de trabajo. Un trabajador. Una trabajadora. Todas las semanas.

Febrero de 2022: rebuscando entre la enorme montaña de escombros, solamente hemos encontrado signos de interrogación que utilizamos en esta obra para balizar el camino. También la intuición de que hay que amar a la vida por lo que es, incondicionalmente, más allá de su misión y de su sentido.

Oilar bat dago zure teilatuan es un espectáculo multidisciplinar que combina teatro, títeres, arte plástico y nuevas tecnologías. A través del humor y de los bertsos esta historia muestra una ciudad, un toro enamorado y un gallo descontento en un tejado que espera a alguien que le ayude a salir de la ciudad y le conduzca a su casa. Premio al Mejor Espectáculo Infantil en el Titirijai Jaialdia de 2015.

En esta exposición visitaremos el magnífico universo de las ilustraciones de fantasía realista de Arantza Sestayo. Artista influida por la pintura prerrafaelista y el Art Nouveau, a lo largo de su exposición podremos disfrutar desde ilustraciones de fantasía basadas en los clásicos infantiles, con personajes tan conocidos como Blancanieves o Alicia, a las maravillosas ilustraciones para el calendario oficial 2022 de Canción de hielo y fuego, con personajes tan carismáticos como Daenerys, Sansa o Jon Snow. A lo largo del viaje también visitaremos su universo gótico, con sus fantásticos personajes románticos, melancólicos y sensuales.

Arantza Sestayo nace en San Sebastián en 1964. De formación autodidacta, comienza a desarrollar su carrera profesional a través del retrato, el diseño cerámico y la producción de fondos en estudios de animación. Podemos ver una muestra de su obra en Besos malditos, Vampiros o Reinas de la ilustración española del siglo XXI (Norma Editorial), Rooie Oortjes en Bélgica, LeewiART en China o el calendario de 2022 Canción de hielo y fuego (Harper Collins).

Entre otros muchos galardones, le fue concedido el primer premio en Realismo Imaginativo en Art Renewal Center 2020 por la obra Seven Hearts.

De lunes a viernes: 10:00 - 20:30. Sábados y 31 de octubre: 10:00 - 14:00 / 16:30 - 20:00

La basura no es sino una metáfora. Pero, ¿qué puede representar una metáfora que huele a podredumbre?

Febrero de 2020: un vertedero se derrumba y dos trabajadores quedan sepultados en Zaldibar (Bizkaia). Llámese destino, fatalidad o, simplemente, mala suerte, la palabra elegida para designar los hechos enmascara y oculta casi siempre una responsabilidad. Lo que para algunos es una desgracia, no es para otros más que un lamentable accidente.

Marzo de 2020: llega el covid. Una periodista de radio de salud frágil tratará de dar voz al derrumbe, debatiéndose entre la verdad, los hechos y el relato… ¿Puede canalizarse el dolor en un mundo paralizado por la pandemia?

Las pantallas han sustituido a las palabras y la basura se ha convertido en nuestra seña de identidad. Cada semana alguien muere en su puesto de trabajo. Un trabajador. Una trabajadora. Todas las semanas.

Febrero de 2022: rebuscando entre la enorme montaña de escombros, solamente hemos encontrado signos de interrogación que utilizamos en esta obra para balizar el camino. También la intuición de que hay que amar a la vida por lo que es, incondicionalmente, más allá de su misión y de su sentido.

Raven's Hollow (2022). UK. 98 min

Direction: Christopher Hatton. Production: Caroline Stern, Todd Lundbohm, Andrejs Ekis / Canoe Film, 828 Productions, Cinevilla Studios, Creativity Media, Filmgate Films. Screenplay: Christopher Hatton. Photography: Michael Rizzi. Music: Robert Ellis-Geiger. Edition: Danny Rafic. Cast: William Moseley, Melanie Zanetti, Kate Dickie, David Hayman, Oberon K. A. Adjepong, Elizabet Ingram.

Yes, Edgar Allen Poe joined the Army in 1827. He first served at Fort Independence, Boston. And was then transferred to Fort Monroe in Virginia. He earned 5 dollars a month. He made it to the rank of sergeant. And sergeant-major. After a while he resigned. But his father made him enrol at West Point. He clocked up 44 offences and 106 demerits... And so this film by Christopher Hatton, director of Sammyville (1999), about a ghost town that is real, that exists but seems not to, is no lie: Poe was a soldier. And undoubtedly led other soldiers hunting through inhospitable territory. Down where dark, winged creatures devour the bodies of their victims, crucify their remains, and no one knows, has heard or seen a thing. Yes, down in the “raven's hollow”.

+

Wolfkin (Kommunioun, 2022). Luxembourg-Belgium. 90 min

Direction: Jacques Molitor. Production: Gilles Chanial, Olivier Dubois / Les Films Fauves, Novak Prod. Screenplay: Jacques Molitor, Régine Abadia. Photography: Amandine Klee. Music: Daniel Offerman. Edition: Damien Keyeux. Cast: Louise Manteau, Victor Dieu, Marja-Leena Juncker, Jules Werner, Marco Lorenzini.

Since 1937, there have been 30 films made in Luxembourg. Not bad for a Grand Duchy with a population of 630,000, and 33 cinemas... Wolfkin, directed by one of the ten registered film-makers to be found within the 2,586 square kilometres of this parliamentary monarchy, has been screened in London, Lisbon and Sitges under the flag of a land where, of course, they make horror movies (Zombiefilm, 2005). Its presentation in San Sebastian also uses a second, wonderful and meaningful title, Kommunioun, and it features splendidly sepulchral elements of lycanthropy, cannibalism, mother love, a little sex and aristocratic degeneracy. While looking completely different, it recalls the divine As boas maneiras (2017) by  Marco Dutra and Juliana Rojas. Setting aside all distances and oceans.

Switzerland. Direction: Johannes Hartmann. Codirection: Sandro Klopfstein. Production: Valentin Greutert / A Film Company, Swissploitation Films. Screenplay: Sandro Klopfstein, Johannes Hartmann, Trent Haaga, Gregory Widmer. Photography: Eric Lehner. Music: Mario Batkovic. Edition: Claudio Cea, Isai Oswald, Jann Anderegg. Cast: Alice Lucy, Max Rüdlinger, Casper Van Dien, David Schofield, Kel Matsena, Pascal Ulli, Almar G. Sato, Katja Kolm.

A Swiss exploitation film?! Yes. From the land of chocolate, dairy herds and cuckoo clocks. The... refuge of hidden fortunes and princesses married to handball players. Where everyone has a rifle at home because they are all reservists… It doesn't seem so impossible now, does it? Because Switzerland is also the land of the Locarno Festival. Where anarchism was unleashed in all its fury (see the film Unruhe, 2022). Interesting… Heidi loves Blacks who make goat's cheese. Heidi has a one-eyed, armed, trade unionist grandfather. Heidi comes up against the evil dictator who aims to take over the world through manipulated cheese. Heidi is trained by ninja nuns. Heidi won the audience award in Brussels. Heidi took part in the Absurd session in Nantes. Yes, Heidi.

Luxembourg-Belgium. Direction: Jacques Molitor. Production: Gilles Chanial, Olivier Dubois / Les Films Fauves, Novak Prod. Screenplay: Jacques Molitor, Régine Abadia. Photography: Amandine Klee. Music: Daniel Offerman. Edition: Damien Keyeux. Cast: Louise Manteau, Victor Dieu, Marja-Leena Juncker, Jules Werner, Marco Lorenzini.

Since 1937, there have been 30 films made in Luxembourg. Not bad for a Grand Duchy with a population of 630,000, and 33 cinemas... Wolfkin, directed by one of the ten registered film-makers to be found within the 2,586 square kilometres of this parliamentary monarchy, has been screened in London, Lisbon and Sitges under the flag of a land where, of course, they make horror movies (Zombiefilm, 2005). Its presentation in San Sebastian also uses a second, wonderful and meaningful title, Kommunioun, and it features splendidly sepulchral elements of lycanthropy, cannibalism, mother love, a little sex and aristocratic degeneracy. While looking completely different, it recalls the divine As boas maneiras (2017) by  Marco Dutra and Juliana Rojas. Setting aside all distances and oceans.

UK. Direction: Christopher Hatton. Production: Caroline Stern, Todd Lundbohm, Andrejs Ekis / Canoe Film, 828 Productions, Cinevilla Studios, Creativity Media, Filmgate Films. Screenplay: Christopher Hatton. Photography: Michael Rizzi. Music: Robert Ellis-Geiger. Edition: Danny Rafic. Cast: William Moseley, Melanie Zanetti, Kate Dickie, David Hayman, Oberon K. A. Adjepong, Elizabet Ingram.

Yes, Edgar Allen Poe joined the Army in 1827. He first served at Fort Independence, Boston. And was then transferred to Fort Monroe in Virginia. He earned 5 dollars a month. He made it to the rank of sergeant. And sergeant-major. After a while he resigned. But his father made him enrol at West Point. He clocked up 44 offences and 106 demerits... And so this film by Christopher Hatton, director of Sammyville (1999), about a ghost town that is real, that exists but seems not to, is no lie: Poe was a soldier. And undoubtedly led other soldiers hunting through inhospitable territory. Down where dark, winged creatures devour the bodies of their victims, crucify their remains, and no one knows, has heard or seen a thing. Yes, down in the “raven's hollow”.

Spain. Direction: Raúl Cerezo, Fernando González Gómez. Production: José Luis Rancaño, Mamen Espinosa / Person’s Films, La Dalia Films, Antídoto Films. Executive production: José Luis Rancaño, Silvia Melero, Carlota Amor, Helion Ramalho. Screenplay: Javier Trigales, Raúl Cerezo, Rubén Sánchez Trigos. Photography: Ignacio Aguilar. Music: Eneko Vadillo. Edition: José Manuel Jiménez. Cast: Zorion Eguileor, Gustavo Salmerón, Paula Gallego, Irene Anula, Ángela López Gamonal, Juan Acedo.

Raúl has festivals down pat: Escorto, Córtate, Cortopatía and Cortópolis, and works for Universal. Fernando directed Ana de Armas not only before she was Norma Jean, but before she came up against Jamie Lee Curtis in Knives Out (2019). The screenplay of Viejos (the glorious, apocalyptic, infernal revenge of the pensioners that no one paid any heed to when they headed out onto the streets) features Rubén Sánchez Trigos, with a doctoral thesis in Audiovisual Communication about Spanish zombie films, and Javier Trigales, Professor of Audiovisual Studies. With figures of that calibre, no one will be saying "OK, boomer". Much less if the star is Zorion Eguileor. And still less if the film has been featured at San Sebastian, Sitges and Austin.

Lituania-Francia-Bélgica. Dirección: Kristina Buožyté, Bruno Samper. Producción: Asta Liukaityté, Daiva Varnaité-Jovaišiené, Alexis Perrin, Kristina Buožyté / Natrix Natrix, Rumble Fish Productions. Coproducción: Benoit Roland, Florent Steiner, Guillaume Natas / 10.80 Films, EV.L Prod. Guion: Brian Clark, Bruno Samper, Kristina Buožyté. Fotografía: Feliksas Abrukauskas. Música: Dan Levy. Montaje: Suzanne Fenn. Intérpretes: Raffiella Chapman, Eddie Marsan, Rosy McEwen, Richard Brake, Melanie Gaydos.

Dos genios de la fantasía. Dos visionarios distópicos (pero en el fondo finamente utópicos) han creado una película magnífica, favorita en Bucheon. Ellos son Kristina Buožyté y Bruno Samper, los autores de la sin par Aurora del año 2012. Juntos nos lanzan al universo, entre analógico, digital, frondoso y a la vez yermo que queda(rá) cuando ninguno de nuestros intentos para salvar el planeta han dado resultado. Entre los supervivientes, los dominantes viven satisfechos, en zonas bien aisladas y aprovisionadas y los demás nos buscamos la vida en un mundo oscuro, verdoso, encharcado, peligroso. Vesper saca oro de su presupuesto. Dicen que ha reinventado la ciencia ficción. Con sus maneras de cuento tenebroso, entre medieval, retro-futurista y steampunk.

Iran-Russia-Turkey-Germany. Direction: Mohammad Kheirandish. Production: Mohammad Hamedani / Sky Frame Studios. Screenplay: Mohammad Kheirandish, Yana Kuzmina. Music: Behzad Abdi. Edition: Richard Oakes, Adam Leader.

Dolphins rescue a little boy they find in the sea and raise him as a member of their family. He lives a carefree life beneath the waves until an evil monster seizes power over the underwater world. The boy is banished to dry land, where the kind-hearted captain Murvarid takes him in. Helped by the captain and his almost-brother Snowball the dolphin, the boy sets out on a journey to solve the mystery of his true identity. Fabulous adventures await!

Invitations from October 24th at Victoria Eugenia and Principal theaters.

Edad: +5 años

San Telmo cumple 120 años. Conoceremos el museo y edificaremos nuestro propio museo de papel utilizando la técnica del pop-up: plegar, pintar, colar, hacer collages….

Oilar bat dago zure teilatuan es un espectáculo multidisciplinar que combina teatro, títeres, arte plástico y nuevas tecnologías. A través del humor y de los bertsos esta historia muestra una ciudad, un toro enamorado y un gallo descontento en un tejado que espera a alguien que le ayude a salir de la ciudad y le conduzca a su casa. Premio al Mejor Espectáculo Infantil en el Titirijai Jaialdia de 2015.

Raven's Hollow (2022). UK. 98 min

Direction: Christopher Hatton. Production: Caroline Stern, Todd Lundbohm, Andrejs Ekis / Canoe Film, 828 Productions, Cinevilla Studios, Creativity Media, Filmgate Films. Screenplay: Christopher Hatton. Photography: Michael Rizzi. Music: Robert Ellis-Geiger. Edition: Danny Rafic. Cast: William Moseley, Melanie Zanetti, Kate Dickie, David Hayman, Oberon K. A. Adjepong, Elizabet Ingram.

Yes, Edgar Allen Poe joined the Army in 1827. He first served at Fort Independence, Boston. And was then transferred to Fort Monroe in Virginia. He earned 5 dollars a month. He made it to the rank of sergeant. And sergeant-major. After a while he resigned. But his father made him enrol at West Point. He clocked up 44 offences and 106 demerits... And so this film by Christopher Hatton, director of Sammyville (1999), about a ghost town that is real, that exists but seems not to, is no lie: Poe was a soldier. And undoubtedly led other soldiers hunting through inhospitable territory. Down where dark, winged creatures devour the bodies of their victims, crucify their remains, and no one knows, has heard or seen a thing. Yes, down in the “raven's hollow”.

+

Wolfkin (Kommunioun, 2022). Luxembourg-Belgium. 90 min

Direction: Jacques Molitor. Production: Gilles Chanial, Olivier Dubois / Les Films Fauves, Novak Prod. Screenplay: Jacques Molitor, Régine Abadia. Photography: Amandine Klee. Music: Daniel Offerman. Edition: Damien Keyeux. Cast: Louise Manteau, Victor Dieu, Marja-Leena Juncker, Jules Werner, Marco Lorenzini.

Since 1937, there have been 30 films made in Luxembourg. Not bad for a Grand Duchy with a population of 630,000, and 33 cinemas... Wolfkin, directed by one of the ten registered film-makers to be found within the 2,586 square kilometres of this parliamentary monarchy, has been screened in London, Lisbon and Sitges under the flag of a land where, of course, they make horror movies (Zombiefilm, 2005). Its presentation in San Sebastian also uses a second, wonderful and meaningful title, Kommunioun, and it features splendidly sepulchral elements of lycanthropy, cannibalism, mother love, a little sex and aristocratic degeneracy. While looking completely different, it recalls the divine As boas maneiras (2017) by  Marco Dutra and Juliana Rojas. Setting aside all distances and oceans.

Switzerland. Direction: Johannes Hartmann. Codirection: Sandro Klopfstein. Production: Valentin Greutert / A Film Company, Swissploitation Films. Screenplay: Sandro Klopfstein, Johannes Hartmann, Trent Haaga, Gregory Widmer. Photography: Eric Lehner. Music: Mario Batkovic. Edition: Claudio Cea, Isai Oswald, Jann Anderegg. Cast: Alice Lucy, Max Rüdlinger, Casper Van Dien, David Schofield, Kel Matsena, Pascal Ulli, Almar G. Sato, Katja Kolm.

A Swiss exploitation film?! Yes. From the land of chocolate, dairy herds and cuckoo clocks. The... refuge of hidden fortunes and princesses married to handball players. Where everyone has a rifle at home because they are all reservists… It doesn't seem so impossible now, does it? Because Switzerland is also the land of the Locarno Festival. Where anarchism was unleashed in all its fury (see the film Unruhe, 2022). Interesting… Heidi loves Blacks who make goat's cheese. Heidi has a one-eyed, armed, trade unionist grandfather. Heidi comes up against the evil dictator who aims to take over the world through manipulated cheese. Heidi is trained by ninja nuns. Heidi won the audience award in Brussels. Heidi took part in the Absurd session in Nantes. Yes, Heidi.

Luxembourg-Belgium. Direction: Jacques Molitor. Production: Gilles Chanial, Olivier Dubois / Les Films Fauves, Novak Prod. Screenplay: Jacques Molitor, Régine Abadia. Photography: Amandine Klee. Music: Daniel Offerman. Edition: Damien Keyeux. Cast: Louise Manteau, Victor Dieu, Marja-Leena Juncker, Jules Werner, Marco Lorenzini.

Since 1937, there have been 30 films made in Luxembourg. Not bad for a Grand Duchy with a population of 630,000, and 33 cinemas... Wolfkin, directed by one of the ten registered film-makers to be found within the 2,586 square kilometres of this parliamentary monarchy, has been screened in London, Lisbon and Sitges under the flag of a land where, of course, they make horror movies (Zombiefilm, 2005). Its presentation in San Sebastian also uses a second, wonderful and meaningful title, Kommunioun, and it features splendidly sepulchral elements of lycanthropy, cannibalism, mother love, a little sex and aristocratic degeneracy. While looking completely different, it recalls the divine As boas maneiras (2017) by  Marco Dutra and Juliana Rojas. Setting aside all distances and oceans.

UK. Direction: Christopher Hatton. Production: Caroline Stern, Todd Lundbohm, Andrejs Ekis / Canoe Film, 828 Productions, Cinevilla Studios, Creativity Media, Filmgate Films. Screenplay: Christopher Hatton. Photography: Michael Rizzi. Music: Robert Ellis-Geiger. Edition: Danny Rafic. Cast: William Moseley, Melanie Zanetti, Kate Dickie, David Hayman, Oberon K. A. Adjepong, Elizabet Ingram.

Yes, Edgar Allen Poe joined the Army in 1827. He first served at Fort Independence, Boston. And was then transferred to Fort Monroe in Virginia. He earned 5 dollars a month. He made it to the rank of sergeant. And sergeant-major. After a while he resigned. But his father made him enrol at West Point. He clocked up 44 offences and 106 demerits... And so this film by Christopher Hatton, director of Sammyville (1999), about a ghost town that is real, that exists but seems not to, is no lie: Poe was a soldier. And undoubtedly led other soldiers hunting through inhospitable territory. Down where dark, winged creatures devour the bodies of their victims, crucify their remains, and no one knows, has heard or seen a thing. Yes, down in the “raven's hollow”.

Spain. Direction: Raúl Cerezo, Fernando González Gómez. Production: José Luis Rancaño, Mamen Espinosa / Person’s Films, La Dalia Films, Antídoto Films. Executive production: José Luis Rancaño, Silvia Melero, Carlota Amor, Helion Ramalho. Screenplay: Javier Trigales, Raúl Cerezo, Rubén Sánchez Trigos. Photography: Ignacio Aguilar. Music: Eneko Vadillo. Edition: José Manuel Jiménez. Cast: Zorion Eguileor, Gustavo Salmerón, Paula Gallego, Irene Anula, Ángela López Gamonal, Juan Acedo.

Raúl has festivals down pat: Escorto, Córtate, Cortopatía and Cortópolis, and works for Universal. Fernando directed Ana de Armas not only before she was Norma Jean, but before she came up against Jamie Lee Curtis in Knives Out (2019). The screenplay of Viejos (the glorious, apocalyptic, infernal revenge of the pensioners that no one paid any heed to when they headed out onto the streets) features Rubén Sánchez Trigos, with a doctoral thesis in Audiovisual Communication about Spanish zombie films, and Javier Trigales, Professor of Audiovisual Studies. With figures of that calibre, no one will be saying "OK, boomer". Much less if the star is Zorion Eguileor. And still less if the film has been featured at San Sebastian, Sitges and Austin.

Lituania-Francia-Bélgica. Dirección: Kristina Buožyté, Bruno Samper. Producción: Asta Liukaityté, Daiva Varnaité-Jovaišiené, Alexis Perrin, Kristina Buožyté / Natrix Natrix, Rumble Fish Productions. Coproducción: Benoit Roland, Florent Steiner, Guillaume Natas / 10.80 Films, EV.L Prod. Guion: Brian Clark, Bruno Samper, Kristina Buožyté. Fotografía: Feliksas Abrukauskas. Música: Dan Levy. Montaje: Suzanne Fenn. Intérpretes: Raffiella Chapman, Eddie Marsan, Rosy McEwen, Richard Brake, Melanie Gaydos.

Dos genios de la fantasía. Dos visionarios distópicos (pero en el fondo finamente utópicos) han creado una película magnífica, favorita en Bucheon. Ellos son Kristina Buožyté y Bruno Samper, los autores de la sin par Aurora del año 2012. Juntos nos lanzan al universo, entre analógico, digital, frondoso y a la vez yermo que queda(rá) cuando ninguno de nuestros intentos para salvar el planeta han dado resultado. Entre los supervivientes, los dominantes viven satisfechos, en zonas bien aisladas y aprovisionadas y los demás nos buscamos la vida en un mundo oscuro, verdoso, encharcado, peligroso. Vesper saca oro de su presupuesto. Dicen que ha reinventado la ciencia ficción. Con sus maneras de cuento tenebroso, entre medieval, retro-futurista y steampunk.

Iran-Russia-Turkey-Germany. Direction: Mohammad Kheirandish. Production: Mohammad Hamedani / Sky Frame Studios. Screenplay: Mohammad Kheirandish, Yana Kuzmina. Music: Behzad Abdi. Edition: Richard Oakes, Adam Leader.

Dolphins rescue a little boy they find in the sea and raise him as a member of their family. He lives a carefree life beneath the waves until an evil monster seizes power over the underwater world. The boy is banished to dry land, where the kind-hearted captain Murvarid takes him in. Helped by the captain and his almost-brother Snowball the dolphin, the boy sets out on a journey to solve the mystery of his true identity. Fabulous adventures await!

Invitations from October 24th at Victoria Eugenia and Principal theaters.

Edad: +5 años

San Telmo cumple 120 años. Conoceremos el museo y edificaremos nuestro propio museo de papel utilizando la técnica del pop-up: plegar, pintar, colar, hacer collages….

Oilar bat dago zure teilatuan es un espectáculo multidisciplinar que combina teatro, títeres, arte plástico y nuevas tecnologías. A través del humor y de los bertsos esta historia muestra una ciudad, un toro enamorado y un gallo descontento en un tejado que espera a alguien que le ayude a salir de la ciudad y le conduzca a su casa. Premio al Mejor Espectáculo Infantil en el Titirijai Jaialdia de 2015.

Raven's Hollow (2022). UK. 98 min

Direction: Christopher Hatton. Production: Caroline Stern, Todd Lundbohm, Andrejs Ekis / Canoe Film, 828 Productions, Cinevilla Studios, Creativity Media, Filmgate Films. Screenplay: Christopher Hatton. Photography: Michael Rizzi. Music: Robert Ellis-Geiger. Edition: Danny Rafic. Cast: William Moseley, Melanie Zanetti, Kate Dickie, David Hayman, Oberon K. A. Adjepong, Elizabet Ingram.

Yes, Edgar Allen Poe joined the Army in 1827. He first served at Fort Independence, Boston. And was then transferred to Fort Monroe in Virginia. He earned 5 dollars a month. He made it to the rank of sergeant. And sergeant-major. After a while he resigned. But his father made him enrol at West Point. He clocked up 44 offences and 106 demerits... And so this film by Christopher Hatton, director of Sammyville (1999), about a ghost town that is real, that exists but seems not to, is no lie: Poe was a soldier. And undoubtedly led other soldiers hunting through inhospitable territory. Down where dark, winged creatures devour the bodies of their victims, crucify their remains, and no one knows, has heard or seen a thing. Yes, down in the “raven's hollow”.

+

Wolfkin (Kommunioun, 2022). Luxembourg-Belgium. 90 min

Direction: Jacques Molitor. Production: Gilles Chanial, Olivier Dubois / Les Films Fauves, Novak Prod. Screenplay: Jacques Molitor, Régine Abadia. Photography: Amandine Klee. Music: Daniel Offerman. Edition: Damien Keyeux. Cast: Louise Manteau, Victor Dieu, Marja-Leena Juncker, Jules Werner, Marco Lorenzini.

Since 1937, there have been 30 films made in Luxembourg. Not bad for a Grand Duchy with a population of 630,000, and 33 cinemas... Wolfkin, directed by one of the ten registered film-makers to be found within the 2,586 square kilometres of this parliamentary monarchy, has been screened in London, Lisbon and Sitges under the flag of a land where, of course, they make horror movies (Zombiefilm, 2005). Its presentation in San Sebastian also uses a second, wonderful and meaningful title, Kommunioun, and it features splendidly sepulchral elements of lycanthropy, cannibalism, mother love, a little sex and aristocratic degeneracy. While looking completely different, it recalls the divine As boas maneiras (2017) by  Marco Dutra and Juliana Rojas. Setting aside all distances and oceans.

Switzerland. Direction: Johannes Hartmann. Codirection: Sandro Klopfstein. Production: Valentin Greutert / A Film Company, Swissploitation Films. Screenplay: Sandro Klopfstein, Johannes Hartmann, Trent Haaga, Gregory Widmer. Photography: Eric Lehner. Music: Mario Batkovic. Edition: Claudio Cea, Isai Oswald, Jann Anderegg. Cast: Alice Lucy, Max Rüdlinger, Casper Van Dien, David Schofield, Kel Matsena, Pascal Ulli, Almar G. Sato, Katja Kolm.

A Swiss exploitation film?! Yes. From the land of chocolate, dairy herds and cuckoo clocks. The... refuge of hidden fortunes and princesses married to handball players. Where everyone has a rifle at home because they are all reservists… It doesn't seem so impossible now, does it? Because Switzerland is also the land of the Locarno Festival. Where anarchism was unleashed in all its fury (see the film Unruhe, 2022). Interesting… Heidi loves Blacks who make goat's cheese. Heidi has a one-eyed, armed, trade unionist grandfather. Heidi comes up against the evil dictator who aims to take over the world through manipulated cheese. Heidi is trained by ninja nuns. Heidi won the audience award in Brussels. Heidi took part in the Absurd session in Nantes. Yes, Heidi.

Luxembourg-Belgium. Direction: Jacques Molitor. Production: Gilles Chanial, Olivier Dubois / Les Films Fauves, Novak Prod. Screenplay: Jacques Molitor, Régine Abadia. Photography: Amandine Klee. Music: Daniel Offerman. Edition: Damien Keyeux. Cast: Louise Manteau, Victor Dieu, Marja-Leena Juncker, Jules Werner, Marco Lorenzini.

Since 1937, there have been 30 films made in Luxembourg. Not bad for a Grand Duchy with a population of 630,000, and 33 cinemas... Wolfkin, directed by one of the ten registered film-makers to be found within the 2,586 square kilometres of this parliamentary monarchy, has been screened in London, Lisbon and Sitges under the flag of a land where, of course, they make horror movies (Zombiefilm, 2005). Its presentation in San Sebastian also uses a second, wonderful and meaningful title, Kommunioun, and it features splendidly sepulchral elements of lycanthropy, cannibalism, mother love, a little sex and aristocratic degeneracy. While looking completely different, it recalls the divine As boas maneiras (2017) by  Marco Dutra and Juliana Rojas. Setting aside all distances and oceans.

UK. Direction: Christopher Hatton. Production: Caroline Stern, Todd Lundbohm, Andrejs Ekis / Canoe Film, 828 Productions, Cinevilla Studios, Creativity Media, Filmgate Films. Screenplay: Christopher Hatton. Photography: Michael Rizzi. Music: Robert Ellis-Geiger. Edition: Danny Rafic. Cast: William Moseley, Melanie Zanetti, Kate Dickie, David Hayman, Oberon K. A. Adjepong, Elizabet Ingram.

Yes, Edgar Allen Poe joined the Army in 1827. He first served at Fort Independence, Boston. And was then transferred to Fort Monroe in Virginia. He earned 5 dollars a month. He made it to the rank of sergeant. And sergeant-major. After a while he resigned. But his father made him enrol at West Point. He clocked up 44 offences and 106 demerits... And so this film by Christopher Hatton, director of Sammyville (1999), about a ghost town that is real, that exists but seems not to, is no lie: Poe was a soldier. And undoubtedly led other soldiers hunting through inhospitable territory. Down where dark, winged creatures devour the bodies of their victims, crucify their remains, and no one knows, has heard or seen a thing. Yes, down in the “raven's hollow”.

Spain. Direction: Raúl Cerezo, Fernando González Gómez. Production: José Luis Rancaño, Mamen Espinosa / Person’s Films, La Dalia Films, Antídoto Films. Executive production: José Luis Rancaño, Silvia Melero, Carlota Amor, Helion Ramalho. Screenplay: Javier Trigales, Raúl Cerezo, Rubén Sánchez Trigos. Photography: Ignacio Aguilar. Music: Eneko Vadillo. Edition: José Manuel Jiménez. Cast: Zorion Eguileor, Gustavo Salmerón, Paula Gallego, Irene Anula, Ángela López Gamonal, Juan Acedo.

Raúl has festivals down pat: Escorto, Córtate, Cortopatía and Cortópolis, and works for Universal. Fernando directed Ana de Armas not only before she was Norma Jean, but before she came up against Jamie Lee Curtis in Knives Out (2019). The screenplay of Viejos (the glorious, apocalyptic, infernal revenge of the pensioners that no one paid any heed to when they headed out onto the streets) features Rubén Sánchez Trigos, with a doctoral thesis in Audiovisual Communication about Spanish zombie films, and Javier Trigales, Professor of Audiovisual Studies. With figures of that calibre, no one will be saying "OK, boomer". Much less if the star is Zorion Eguileor. And still less if the film has been featured at San Sebastian, Sitges and Austin.

Lituania-Francia-Bélgica. Dirección: Kristina Buožyté, Bruno Samper. Producción: Asta Liukaityté, Daiva Varnaité-Jovaišiené, Alexis Perrin, Kristina Buožyté / Natrix Natrix, Rumble Fish Productions. Coproducción: Benoit Roland, Florent Steiner, Guillaume Natas / 10.80 Films, EV.L Prod. Guion: Brian Clark, Bruno Samper, Kristina Buožyté. Fotografía: Feliksas Abrukauskas. Música: Dan Levy. Montaje: Suzanne Fenn. Intérpretes: Raffiella Chapman, Eddie Marsan, Rosy McEwen, Richard Brake, Melanie Gaydos.

Dos genios de la fantasía. Dos visionarios distópicos (pero en el fondo finamente utópicos) han creado una película magnífica, favorita en Bucheon. Ellos son Kristina Buožyté y Bruno Samper, los autores de la sin par Aurora del año 2012. Juntos nos lanzan al universo, entre analógico, digital, frondoso y a la vez yermo que queda(rá) cuando ninguno de nuestros intentos para salvar el planeta han dado resultado. Entre los supervivientes, los dominantes viven satisfechos, en zonas bien aisladas y aprovisionadas y los demás nos buscamos la vida en un mundo oscuro, verdoso, encharcado, peligroso. Vesper saca oro de su presupuesto. Dicen que ha reinventado la ciencia ficción. Con sus maneras de cuento tenebroso, entre medieval, retro-futurista y steampunk.

Iran-Russia-Turkey-Germany. Direction: Mohammad Kheirandish. Production: Mohammad Hamedani / Sky Frame Studios. Screenplay: Mohammad Kheirandish, Yana Kuzmina. Music: Behzad Abdi. Edition: Richard Oakes, Adam Leader.

Dolphins rescue a little boy they find in the sea and raise him as a member of their family. He lives a carefree life beneath the waves until an evil monster seizes power over the underwater world. The boy is banished to dry land, where the kind-hearted captain Murvarid takes him in. Helped by the captain and his almost-brother Snowball the dolphin, the boy sets out on a journey to solve the mystery of his true identity. Fabulous adventures await!

Invitations from October 24th at Victoria Eugenia and Principal theaters.

Edad: +5 años

San Telmo cumple 120 años. Conoceremos el museo y edificaremos nuestro propio museo de papel utilizando la técnica del pop-up: plegar, pintar, colar, hacer collages….

Oilar bat dago zure teilatuan es un espectáculo multidisciplinar que combina teatro, títeres, arte plástico y nuevas tecnologías. A través del humor y de los bertsos esta historia muestra una ciudad, un toro enamorado y un gallo descontento en un tejado que espera a alguien que le ayude a salir de la ciudad y le conduzca a su casa. Premio al Mejor Espectáculo Infantil en el Titirijai Jaialdia de 2015.